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Author: Katherine

Remembering a Canadian Soldier of the First World War

Posted on December 4, 2024December 4, 2024 by Katherine

On an average street in the city of Scarborough, one block west from the house where I grew up, is a lonely little cemetery. If you happen to pass by without expecting it to be there, then you’d probably be surprised. That’s because this cemetery, Washington United Church Cemetery, is sandwiched between a row of well-kept suburban homes. It’s an almost surreal sight, those proud headstones sitting quietly behind a padlocked gate, flanked by bungalows on either side as if they’re just the neighbours next door. You might even be tempted to dismiss my claim as nothing more than a flight of fancy. An imaginative writer exploring her creative whims.

While I admit that I am certainly an imaginative writer, prone to indulging in more than my fair share of fanciful flights, what I say is true. The cemetery does exist, and I know it well.

I was a child who had not yet reached double-digits the first time I walked through those wrought-iron gates and found the grave of Cecil Annis, soldier and hero of the Great War of 1914. In those days, there was no padlock, and one side of the dual gates stood permanently ajar.

I was odd even then. A curious child, introspective and in no short supply of compassion for all things living… dead… anthropomorphized… When it came to cemeteries, memorials, epitaphs and the like, I would take the time to read. To note dates, study grainy black-and-white faces, and to calculate ages. Then to observe, dutifully and solemnly, a moment of grief—for them, and for the loved ones who lost them.

I would often ride my bike to this little cemetery and sit amongst the stones, for I felt an inexplicable sense of peace here—especially when sitting next to the grave of Cecil Annis. I was deeply troubled, you see, that he should have died so young. Only twenty-one years old, in what should have been the prime of his life. Not a victim of infectious disease, like many of the children buried here and in cemeteries like it, but of wounds from a senseless war in which historians today still cannot find much purpose.

I wanted to be his friend. I was desperate to offer what little comfort I could, to be the one who visited him so that he knew he was remembered. That his sacrifice had not been forgotten.

Told you I was odd.

I didn’t understand, though, in my youthful ignorance of the true and long-term cost of war, how he could have made it home fatally injured. I struggled to imagine who he’d been in life. I longed to see his face, so that I could better picture who I was mourning when there was no one left who’d known him in life. No one to stand by his grave, where I stood. Grieving a boy I’d never met.

Decades later, we have the internet. We have access to online records and digital copies of newspaper clippings, and amateur historians who are keen to share information that it may live on. I don’t know what it was that made Cecil Annis pop into my head of a sudden, these many years later, but he did. And I went looking for him online. I found him.

Cecil Annis was a Scarborough boy who went to high school at Malvern Collegiate, a high school which is still in operation today. In April of 1915 he enlisted in the 35th battallion, and was with one of the first drafts sent overseas. He was wounded for the first time on June 13th, 1916 at Givenchy, in the forehead and back, and spent time recovering in England before being returned to the front. He was wounded a second time, on October 16th of that same year at Camblain-L’Abbe, and lost the sight in one eye. As a result, he returned home to Canada, where he received a rousing welcome from his friends, family and community.

Cecil was one of the most popular boys in Scarborough, one newspaper reported, and was a star player on the Malvern Collegiate rugby team before going off to war. The boys at my high school played rugby; it could have been them. He was buried in the family cemetery with full military honours, and it was the only time when guns went off in that sacred spot. He was given the rank of Lance Corporal before being discharged from the army, after being wounded the second time. He was the first cadet from Malvern to come home. He had hoped to return to school and finish his education once he was well enough.

He never did.

What I know now was that Cecil Annis died of heart disease attributed to his service. It is called Soldier’s Heart. As a child, I was unaware of this phenomenon because they never taught us that in school. We learned high-ranking names, geographical locations, dates, trench lore… we didn’t spend much time on what happened to the men and boys who came home.

Decades after his death I stood as a child in that very spot where the guns had gone off to mark his passing. Silence and birdsong, the rustle of leaves and the distant drone of urban traffic his only other companions besides the fanciful little girl. I remember so vividly, with a pain of grief for the dead, the so many dead, thinking that I could be the one to remember him now, to cherish his memory and his service when no one who knew him was left to do so. So I visited that graveyard fairly regularly, and I remembered Cecil. And I imagined that he was my friend, even if he didn’t know it.

I remembered him every November 11th. In the seventh grade when my school band played Ashokan Farewell at the Scarborough Civic Centre for the Remembrance Day services. In high school when they projected the photographs of our fellow R.H. King students who had died in a second war less than thirty years after the first (a photograph of my own great uncle, Sgt. Robert J. Jackson, amongst them). That lonely grave was probably my strongest memory of my early interest in the first world war, a tangible connection to it that even then I knew was both simple and profound.

As Canadians, we honour our fallen heroes. Our national memory remembers our war dead. Our young people are raised to continue the tradition of caring about those who laid down their lives, to never forget the sacrifice and to honour it as a gift given to future generations.

I was one of those Canadian youth. But I count myself fortunate because I have something the others don’t. I touched a grave. I made a friend of a soldier I never knew, and I remembered him.

I remember him still.

CECIL ANNIS
SON OF LEVI C. AND ANNIE ANNIS
DIED OF WAR WOUNDS SEPTEMBER 20 1918
IN HIS 22ND YEAR
HE SAVED OTHERS HIMSELF HE COULD NOT SAVE

Update: I Wrote a Book!

Posted on November 1, 2024November 1, 2024 by Katherine

Yay! Sigh of relief. Life goal achieved. Right?

Well, yes… and not exactly. I’m being a little tongue-in-cheek with the slightly deceptive title of this post because, while it’s true that I’ve written a book, it’s not actually my first. To date, I have twelve complete novels under my belt, published under my pen name of Veronica Bale. More than twelve, actually, if you count all the ones I’ve ghostwritten in the years before I started writing for myself. That’s a lot of books. A lot of characters, a lot of storylines… a heck of a lot of words!

But this book is special. This new book that I’ve just completed is one that I’m going to attempt to have traditionally published. Admittedly, I am not a newbie to the submission process. I am well aware that from here on out it’s a long road ahead to hopefully win the interest of an agent. To get it in front of a publisher, and to make it available for readers. Nevertheless, I’m excited for the journey.

Why? Well friends, it’s because I want this book to be published under my own, real name.

How did I wind up writing under a nom de plume, you might ask? Here’s the story. Originally, I had built up a tidy side hustle by ghostwriting stories, as a way to earn a bit of extra income. As I got going, and as I cultivated a client list and a portfolio, I began to wonder where all this anonymous writing was going. Lo and behold, I stumbled upon a relatively new self-publishing world, made available to authors by companies like Smashwords, Kindle Direct, Barnes and Noble, and Kobo. In a bid to find out how much my clients were making off my fervent scribbling, I decided to put my own book out there, to test the waters, as it were. I decided that I would use a pen name, and if the project made at least $30 (the cost of my cover art), I would consider the endeavour a success.

To my astonishment, it made a little more than thirty bucks.

Ten years on, I am thrilled to have built a career around my Veronica Bale novels. But I had always, ever since I was a little girl sneaking my mother’s V.C. Andrews paperbacks into my knapsack so my friends and I could read all the gothic intrigue at recess, wanted to be an author. I wanted to have my name out there in the world, to share the stories that lived in my head and provided me with endless entertainment and unfailing companionship. And I would one day. I was sure of it.

Now, as my son so lovingly reminds me on occasion… I ain’t getting any younger. It’s about time I sat down and put in a real effort to make that happen.

Which brings me to the here and now. My novel is written. I’ve put my heart and soul into the plot, the characters, the writing quality and the atmosphere. For anyone that’s read my most popular Veronica Bale novels – The Ghosts of Tullybrae House, Shadow, Legend of the Mist, The Other Side of Dawn (etc.) – I think you’ll like this one, too. Blending elements of the past and present together, this new story is full of lovable ghosts, Scottish scenery and, of course, a squeal-worthy love story.

Will my fledgling manuscript make its way out into the world under a traditional publishing model? We shall see, friends. To be continued…

THE GATEKEEPERS

Nicola Price has always been aware of the ghosts which inhabit the Aldergate Tavern and Inn. The historic landmark which she owns and operates on Edinburgh’s Royal Mile has seen more than its fair share of bloody conflict over the centuries, so a resident spirit or two is only natural. But with the arrival of best-selling author Mike Daggerty at the Aldergate, suddenly it’s not just the spirits of her popular pub Nicola sees, other ghosts begin to make themselves known. They want something from her, something to do with the handsome, troubled writer who has come into her life. But what?

Mike “Daggs” Daggerty has made a career of travelling the British Isles in search of stories from beyond the grave. But despite his thriving career, he is beginning to feel lost, and is losing his lust for the one thing he has always loved: storytelling. When Daggs meets Nicola, however, things begin to happen, and stories begin to surface. It’s almost as if something, or someone, is guiding Nicola to help him. What tales do the ghosts of the Aldergate have to share, and how can Nicola help Daggs find the story he’s been searching for all his life? What will they each learn about themselves along the way?

Check One Off the Bucket List: Today I Set Foot on Alcatraz

Posted on May 25, 2023December 4, 2024 by Katherine

Another day of our trip commences in Sunny San Francisco. January back home in Toronto is a much different beast. Here: balmy. Home: blizzard. Here: sweater weather. Home: perma-parka.

With temperatures more like late spring where we’re from, my partner Peter and I set off for Alcatraz. We’d planned a number of day trips ahead of time—Muir Woods, Pier 39, the Santa Cruz Boardwalk. But when it came to Alcatraz, this was a suggestion Peter made with a probably not face, as he posed the question : “You wouldn’t be interested in that, would you?”

My answer: “Um, hells YES I would. Do you not know me AT ALL?”

For those of you who don’t, let me tell you: I am fascinated by history. Not just by the things that remain, but by the stories that a place can hold and the roles these places play in our collective story. Alcatraz has for many years been a bucket list item of mine. It’s somewhere that I want to see first-hand; to experience and absorb. By osmosis, perhaps, as if simply breathing the air and feeling the rock beneath my feet, I will finally know Alcatraz.

But herein lies the difficulty which makes Alcatraz so tantalizingly haunting. I can never truly experience it first-hand. The Alcatraz that fascinates my historical curiosity is the one which existed in the 1930s. It is the one from whence the most terrible stories of this prison come, and it no longer exists. What remains is the sanitized tourist version that is safe and scrubbed of terror. Of boredom. Of yearning. Of solitude and violence and humanity at its worst.

But if that’s all there is, then I’ll take it. And let’s be honest: deep down I know that I don’t want to know the real Alcatraz. I have a healthy dose of respect for the truth of its past, and am fully aware that I am looking back with naivety. With rose-tinted glasses that paint The Rock in a nostalgic light that I’ve picked up from movies like The Shawshank Redemption and The Green Mile.

I won’t waste your time by recounting facts. I won’t rehash told-to-death impressions of what it was like to approach the shore and look upon the imposing collection of structures that dwell atop the island of the pelicans (the origin of the name Alcatraz supposedly derives from the Spanish alcatraces for said bird). So many before me have done that already. You can look it up online. This post is not about that.

I do have a few factual takeaways that made an impression on me, and if you’ll indulge me a moment, I’d like to share them because I don’t think they’ve been told to the point of cliché like other experiences have. First, there were the marks in the hospital wing from the rubber bullets that were shot during the filming of The Rock movie. Now that’s damn cool, because it blends my present with Alcatraz’s past. Ed Harris and Nicolas Cage stood right where I did. And so did (bestill my heart, this is AWESOME SAUCE!!) Tony Todd—Candyman himself!

Yes, I am a Candyman fan, but that’s a story for another day.

Then there was the story of the Birdman of Alcatraz. Turns out the movie didn’t quite tell it true. According to the record, Robert Stroud may have been a bit of a sociopath. He was certainly a troublemaker, and may not have actually contributed to ornithology the way the books remember. There were also the dungeons of solitary confinement, and how still and pitch-black the air was once they shut the doors and turned off the lights. It was so silent and thick that you could hear yourself breathing but wondered if you were really hearing it. To imagine how dehumanizing and maddening it must have been for the men who had to spend weeks on end down there…

But here’s the thing: I can’t imagine it. Not really. My imagination can never do Alcatraz justice, because my imagination is shaped by my reality. As I was walking the corridors and reading the displays and hearing the audio recordings, I have to admit that I was thinking how cool it would be to turn a place like this into a renovated, uber-quirky mansion. No one who had truly experienced, absorbed, been twisted by the true Alcatraz would have heard that and thought me sane.

And so, to the point of this post. I set foot on Alcatraz, but what did I come back with? Well, dear reader, it is this—Alcatraz gave me a new reverence that I wasn’t expecting to gain. As someone who is haunted by forlorn, lonely places with a past, I found that I was looking forward to the future, and what Alcatraz could become. Because blending the past and the present is me to the core, but I hadn’t realized it quite so vividly until this day. My love for history is not just about looking back, it’s about carrying the tapestry of the past forward and pulling out threads of beauty, in whatever form they exist.

In the end, I came to understand that it wasn’t Alcatraz the place that was a stain on human history, as I had always assumed. It is what humanity did within its walls and on its grounds. It was what the inmates did (or didn’t do) to get there in the first place, what they did to each other once they were there, what they did to the guards, what the guards did to them. Alcatraz isn’t those men and those horrors. It is a symbol of them. A reminder. But not an embodiment. For those that lived through it, and those who didn’t, I honour what they must think of the place at the same time that I honour what it is now: a piece of our past that has a profound place in our present and our future.

Alcatraz reminds us always of who we as human beings are, and what we can do to each other. But while I was reminded of this, I was also able to see it for what it could be with a little creativity. And that in itself was a reminder that Alcatraz is not a total representation of humanity. It is just a part.

Humanity is so much more than that one small island and the buildings that dwell upon it.

If You’re Going to San Francisco…

Posted on January 15, 2023April 18, 2025 by Katherine

By the time I publish this post to my blog, I will have already taken off from Pearson International Airport and landed in San Francisco. The bulk of this post was written before that time, in the days leading up to my departure.

January 2023 marks the first time that I have been to the west cost of the United States of America. While I am of course excited about this new adventure, it is not without its fair share of trepidation. For one… I am afraid of flying. It’s a strange thing to be afraid of, considering the fact that I am a licensed glider pilot. Local flying was a huge part of my late teens and early twenties. (Not to mention that in order to obtain said licence, I had to perform some honest-to-goodness death-defying feats. Seriously, Google “graveyard spiral”… I’ve done it many times.) Yet for some reason, put me on a commercial aircraft and I’m white-knuckling it for most of the journey. Shrug.

But apart from this inexplicable fear, there is another reason why I have a degree of trepidation about travelling to California, and it is that I’ve committed to writing about it.

Here’s the deal. I’m a local traveller. I pride myself on finding joy in the experiences that are available in my own backyard. Mine is not a true travel blog, nor is the content I write for clients travel-related. You will never find listicles about the “top ten” anything to do internationally on my site, or why this European city or that Asian culinary market is The Best. That’s not my style. I’m not a nomad; I’m not restless. I have deep roots. I stay put.

But I am going to write about San Francisco while I am there. Just a few pieces, some key experiences. I’ve committed to doing this as a challenge to myself—and herein lies the trepidation. In my writing style, I am a storyteller. Maybe it’s a little cocky of me to admit, but there is one thing I know I’m good at, and that is finding the story in anything I’m writing about. My brain is hard-wired to find the angle, the “Why Should I Care?” that will keep readers reading my words. I’m kind of proud of that.

But I can very easily see writing about my travels in San Francisco being a rude awakening to that self-confidence. After all, how does one write a travel-related piece that doesn’t end up as a “Why You Should” or a “We Went Here Here Here Here and Here” article? What personal story, what reason for caring, can I find in the things I do and experience while on the coast of California?

So yes, I have trepidation about writing my San Fran experiences. But I am not afraid to challenge myself, to test my limits. Therefore, I am determined to find something unique to say about the experiences which, in other travel blogs and magazines, have been written about over and over again. Mine will not be about the experience itself, but about my experience of it. There is a story in what waits for me on the coast that hasn’t been told before, and I commit to myself that I will find it.

If this post makes it live, then that means my plane landed safely. And my first step onto U.S. soil will be the first step of my personal challenge. Wish me luck.

2022: A Year in Review as a Content Writer

Posted on January 5, 2023November 4, 2025 by Katherine

The new year is officially here. It’s out with 2022, and in with 2023. At the start of every year, I take time to sit down and reflect on how the previous year went. This involves getting out my trusty journal and favourite ballpoint pen, and doing a deep dive into my successes, my failures, and everything in between. This isn’t random scribbling. It’s asking myself pointed and structured questions with the aim of learning what I can do better moving forward.

It’s amazing, the lessons one learns when one sits down and reflects on them. These lessons are almost never what I think they’re going to be, but that’s part of the fun. So here, I thought I would share the lessons I learned from my deep dive on how 2022 went for me.

Lesson 1: I was a busy bee

The first thing I reflected on is that things got busy—busy in a non-content way. This past year, I had the wonderful opportunity to work on a massive project that I am so grateful to have been a part of. It’s a project that helped a lot of people, and it gave me amazing experience which helped me to grow both personally and professionally.

This growth and busy-ness, however, meant that I wasn’t as free to work on building and maintaining my client portfolio for content writing as I have been in years past. This was an interesting lesson to learn, because it forced me to sit back and confront the reality of how my time was monopolized this past year. Don’t get me wrong, I wouldn’t change a thing. But I did have to find a way to accept that my lack of time spent on writing content was a circumstance that was not within my power to control. As a result, I had to learn to forgive myself, and accept that this wasn’t a failing on my part. It was just a choice I made to focus my time elsewhere.

Lesson 2: I scaled back on outreach

In part because of how busy my year was, and in part because I chose to move in another direction from content writing, I found that I scaled my portfolio back to one client to better manage my workload (whether consciously or unconsciously, I don’t know). I am okay with this. For now, working with one engaged client keeps me dexterous, keeps me in the game, and keeps me very satisfied with the work that I’m doing. This year I was able to truly enjoy the articles I wrote, and I was able to build on this experience. Needless to say, I did not try to offer any pitches to any potential new clients.

Lesson 3: Goodbye Twitter

I am backing away from Twitter… there, I said it. Phew!

It is tempting to claim that the reason for this is because of everything that is happening with this platform lately. While I am watching the Twit-uation unfold with a sense of remote disbelief, it is not actually why I’ve decided to un-Twit myself.

The truth is, I simply don’t enjoy it. The Twitterverse does not suit my personality style. As an introvert, the constant need to be on the platform, creating short, little snippets of thought and engaging at a high-level leaves me with a significant amount of anxiety. It’s not about ROI or lack thereof, about platform or lead conversion. It’s that I just don’t like it. I heard once from literary agent Carly Watters that, at the end of the day, social media should be fun. If you don’t enjoy it, don’t do it. Well, I don’t enjoy Twitter. So I am making the strategic decision for my mental health and well-being to simply walk away and focus on other outlets for being digitally social.

Lesson 4: 2023 will be about me

I have decided that this will be the year that I focus on my own blog and content. With the aforementioned project that I have been engaged in coming to a close, I once again find myself with the prospect of time to spend on content writing. Instead of trying to build back a diverse client portfolio, I’m feeling that 2023 is the year that I’m going to work on my own content. There are several reasons for this which I won’t mention, but one of these reasons that I will allude to is that I’ve got ambitions for my writing that are not content-related.

In addition, I figure that if I’m backing away from Twitter for my mental well-being, and if I’m enjoying working with only one client for the reasons I stated above, then I can only assume that spending time writing things that I want to write about is going to further elevate my mental well-being. I therefore have no other aim except to work on my blog. And I think I’m okay with that. I’ve been writing content for other people for so long. I think now is the time to take a break and write some for myself.

Hello 2023!

I am excited for the new year and what’s in store. I hope that’s not a cliched statement, because it’s true. All this deep diving has given me wonderful clarity for how I want the next 365 days to go. I am excited to discover what the new year will bring.

One of the things I have always said, and one of the more worthwhile pieces of advice I impart to my teenaged son (other than that no one wants to sit next to a lad who doesn’t brush his teeth), is that of the opportunities which come your way that you want to take, take them. But take them seriously. You never know where they are going to lead you. For example, I never knew that, as a teenager, following my friend to something called “air cadets” to watch her graduate from recruit status would lead to me being second in command of the entire squadron five years later, with a glider pilot license to show for it.

I don’t know what writing content for no one but myself in 2023 will bring. I don’t know what leaving Twitter will bring. I don’t even know what will come of having been a part of the massive, incredible non-writing project that I got to experience in 2022.

For now I’m just going to sit back and wait with baited breath to find out.

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©2026 Katherine Ryalen